On kind of a theoretical level, not a plot level.
First, please take this survey:
1. Is one of the following shows the best drama of all time?
2. Totally love…
b. The Following
3. Currently watching True Detective (or waiting to binge it)?
4. “Clear eyes, full hearts, can’t lose.”
a. Can’t lose…what? I don’t get it.
b. GO PANTHERS (OR LIONS)!
If your results were a, a, a, and b, we, as television viewers, are on the same page (i.e. we are both probably kind of TV elitists), and so you may be more inclined to agree with me (and many of the critics we probably both read) on some of the things I’m going to basically state as objective truths regarding House of Cards. Like:
- House of Cards looks great. It does not look “inexpensive” (said in Nina Garcia clipped tone).
- House of Cards is extremely campy.
- Many of House of Cards’ happenings defy all logic or reason.
- Character motivations on House of Cards are often hard to pin down.
- House of Cards writers do generally frowned upon things like inform the audience that a heretofore major character has been fired in a throwaway line, or baby us through upcoming plot twists through early-episode anecdotes from Freddy the grillmaster that basically scream “PAY ATTENTION THIS IS A METAPHOR PAY ATTENTION VIEWER.”
- House of Cards is very fun and easy to binge watch.
So, could House of Cards possibly succeed if it were aired week to week? This is a show that pulls you in with a distinct, sleek visual palette, a fun, hammy main character and the promise of plot twists and political machinations. It’s a foregone conclusion that Frank will own everyone (and an all-powerful main character would usually be a problem for a show), so the fun is in watching how he owns everyone and who his casualties are. Sometimes the show is patently ridiculous in a vaguely self-aware way (Frank’s outfit when he SPOILERS SPOILER; the computer hacker with the guinea pig; the shenanigans with the Secret Service agent). Other times, it becomes suddenly self-serious, or maybe self-reflective is a better word (that one Claire scene toward the end of this season).
But these tone inconsistencies never seem like a problem if you digest the whole show in one bite, like an amuse-bouche in television form. When you are clicking through from chapter to chapter, you don’t have the time, or in my case the inclination, to sit down and let the show and its various nonsensical plot mechanics and thin characterizations marinate. It’s an interesting viewing experience in comparison to True Detective, a show that begs to be parsed and re-watched.
I don’t think there’s anything inherently wrong with the House of Cards brand of entertainment. If anything, I think it’s kind of genius. Here is a show that fuses method of consumption with content, and has gotten awards and buzz out of it. But will this become a trend? As television shows become available via diverse platforms, will the way those shows are constructed change accordingly? Nothing seems to indicate that a Netflix show has to follow the House of Cards mode (I have not watched Orange Is the New Black, but from what I have heard it is better written than HoC), but given its success, I wonder if Netflix will be inclined to greenlight shows that lend themselves to the binging model, even if they aren’t prestige dramas that are going to launch Netflix into the pantheon of greatness alongside HBO and AMC.
And again, it’s kind of fun to imagine how HoC would be different if it were airing weekly. Would it be better? Less addictive? It’s a moot point, I suppose. Frank Underwood once said, “I hate being kept in the dark. Waiting. Speculating.” No such problem for House of Cards fans.